Trailer
Overview (No Spoilers)
8/10 stars * * * * * * * *
Tangled is hands down the best film since Tarzan ended Disney's golden age. On a list of my six favorite Disney films (based solely on their stories), Tangled is my third favorite. That list is: Mulan, Lilo and Stitch, Tangled, Aladdin, Beauty and the Beast, and The Little Mermaid.
Like these other Disney films, Tangled has a great story, fun characters, and breathtakingly beautiful animation. There's only one snag that prevents it from being utterly perfect, a disappointing bug in an otherwise tasty porridge. No, it's not the fact that they changed the name from Rapunzel to Tangled because they thought the latter would attract more boys. Really, Disney, did Snow White, Cinderella, The Little Mermaid, Beauty and the Beast, or Mulan do poorly just because they had prominent female leads? Still, the name change was a minor annoyance, easily overlooked since it was overall a great film. No, there was something else that bugged me far more. But first I want to go over all the reasons why I loved it and why you should go and see it. What are you doing still reading this? Go now!
Story: The story was fantastic. I know the original Rapunzel tale pretty well, so I could spot the changes. But if I was a fairytale purist, I wouldn't like any of Disney's films. Besides, the changes made, in my opinion, worked very well. They added just enough life and detail to the story to keep up the pace and emotional depth over the course of a full length movie, while still staying close enough to the plot of the original tale. I'll elaborate more in the spoilers section. I am tempted to just do so here. I mean, if you don't know how Disney movies all end by now, then there's no hope for you. But I'll hold back. I do talk about a few specifics in the character section but nothing earth-shattering. You could figure out most of it from watching the trailer.
There was also a good balance of serious emotions and and humor, even though the trailer might indicate otherwise. It might be a little more comedic than the Disney classics, but what I liked is that even the comedic characters had serious sides. Pascal worries for Rapunzel and is her only friend. Maximus may always seem funny, but if you think about it, it's because for most of the film, he's out for Flynn's blood. Humor that involves wanting to kill or maim someone is always the best kind in my book. Same goes for the Vikings they encounter. Good tone is one of the first things I look for in a cartoon and Tangled delivers.
Characters: Rapunzel manages to be a very interesting character for a girl trapped in a tower for 18 years, which also makes her the first Disney princess to reach the age of consent before falling in love! She doesn't let being bored out of her mind make her a boring character, which is a tall order. She's had nothing to do but teach herself things like astronomy, guitar, and painting. She also has the drive and determination to question the woman she thinks is her mother, even though this is the only person she's ever known. And when the chance to escape her tower comes, Rapunzel grabs it (and hits it over the head with a frying pan). I also really related to her when she escapes from the tower. There's an excellent montage of her feeling alternately elated and morbidly guiltily which is absolutely hilarious.
Flynn is a more fleshed-out character than the traditional Disney male leads, like the princes from Snow White, Sleeping Beauty, and Cinderella. But he didn't have quite the character depth of Aladdin, the Beast, or Tarzan. Still, it felt like he did have a good backstory, just like they couldn't fit it in the film. He mentions it a little bit, just not as much as I would have liked. Still, he's the perfect foil to the repressed Rapunzel and the chemistry between them works very well and keeps you invested in both their characters.
Pascal, Rapunzel's chameleon sidekick, is easily on my list of top five Disney animal sidekicks: Mushu, Pascal, Sebastian, Abu, and Zazu—in that order. Pascal doesn't talk, but his expressive face says it all. He's clearly the enforcer of the group.
Maximus kinda reminded me of Phoebus's horse from The Hunchback of Notre Dame, but I still enjoyed his stalwart and honest nature that suffers no fools, particularly not thieving ones. And you have to admire a warhorse willing to pick up a sword and fight his battles himself!
Animation: The lantern festival when all the lanterns started to light easily gave me the same chills I felt when the crowds at the Imperial City bowed to Mulan, visually stunning and emotionally moving when you think about how the lanterns represent love and longing. I also think Disney's made the right decision to do the whole movie in the style of a Rocco painting. Rocco was a reaction to being freed from the oppressive rule of Louis XIV, and this movie is all about freedom. Plus, it's just a pretty and whimsical style of painting, perfect for a cartoon. I could wish that the style of the characters had been a little more organic so it would look more like the actual Rocco style. The backgrounds did feel Rocco, particularly, Rapunzel's tower. But the characters, while charming and cute, look more like the standard plasticine doll-like versions of computer animation which would have looked right at home in Toy Story. But this would be my criticism of all computer animation. Regardless, I still thoroughly enjoyed the 3D, and it fittingly emphasized the action rather than being a gimmick. It makes the lantern scene that much more magical.
The Snag...
Okay, so after all this, you're probably wonder what I possibly couldn't like about this movie. What more is there than story, characters, and amazing visuals?
Well, from most movies, nothing. But since this is a Disney musical, there's one more element. The music. This is where this movie was a big disappointment. The songs aren't bad, but they are not anywhere close to Disney standards. They were supposed to be a musical mix of 1960s rock and medieval music, which is a great idea. I love modernized medieval music. But while the first song, When Will My Life Begin, starts well with a catchy beat, it fades away in a completely incongruously mellow way that makes it feel like two different songs sewn reluctantly together. The reprise, on the contrary, ended on a very good note but left out too much of the original bouncy nature. All in all, Out There, from the Hunchback of Notre Dame remains Disney's best song about being stuck in a tower.
Plus, other then the faintest possible Irish-like hint in the acoustic beginning, I fail to hear anything medieval about either of these songs. Rather than mixing the two genres, which could have been really fun and original, it seems Alan Menken decided to do one or the other. Although, honestly, none of the songs with lyrics had any medieval flair to them. I'm also not personally a fan of story songs, and all of them, except the love song and the one one the end credits, were tied too closely to the story to be a song that you can later turn into a radio classic.
Mother Knows Best was yet another story song and too musically repetitive, once again, with no good hook, not enough variety to the sounds or build in the middle and end of the song. The whole time she's mostly talking along to music rather than singing. Which I know is actually something they sometimes did in the 60s, but I'm not a fan of it, and the tune isn't strong enough to carry a lack of singing. Plus, it doesn't sound like a 60s song; it sounds like it's from the 50s or from a not very good theater musical.
As for the love song, after several listenings determined to like it, I've managed to appreciate it a bit more than when I first heard it, but it's still nothing special. It doesn't build enough or have a powerful enough hook to make you want to sing it, and I really don't think it challenged the singer's voices enough.
I'm usually not a fan of silly songs, but I've Got a Dream was the one that I actually liked most when I first heard it because it's got the best beat, is the most melodic, the overall tone is consistent, and it is actually sung!
Don't even get me started on the flower song. Musically, it's really pretty if a bit too short. But I can't see myself singing it. It's a song about a flower!
The instrumental score is actually quite good but not so good where I noticed it the first time around (with the exception of the excellent dance music in the town) because I was too busy being disappointed in the other songs.
Finally, the end credits song is good but sorta just stolen and not made for the film, so it doesn't really count. Though, it might have been better if they'd just stolen all the songs.
This is why, sadly, Tangled does not even make the list of my top twenty favorite animated musicals. Now, this list is strictly for the music, not the stories. I like most of their stories, but not all. Tangled doesn't even make it ahead of Lilo and Stitch (not listed), who stole all their music from Elvis. And I'm not even an Elvis fan! Yes, even a few lame Disney sequels had better music. * Note that the 1st, 4th, 5th, 14th, 15th, and 16th movies are NOT even Disney films. They are often mistaken for Disney, but they are NOT.
1.)* Anastasia 2.) Mulan 3.) Tarzan 4.)* Road to El Dorado 5.)* Quest for Camelot 6.) Aladdin 7.) Beauty and the Beast 8.) The Little Mermaid 9.) The Hunchback of Notre Dame 10.) Pocahontas 11.) Hercules 12.) Lion King II 13.) Toy Story II 14.)* The Prince of Egypt 15.)* Thumbelina 16.)* The Swan Princess 17.) Pocahontas II 18) Lion King 19.) Cinderella 20.) Sleeping Beauty
Yes, these are exactly in the order starting with my most favorite and going down from there. Yes, I am a strange person (more evident at the later ones--the first few are pretty standard). But hopefully this gives you an idea of my musical taste so you have something by which to gage my opinion.
Spoilers
Notable differences between this and the original tale:
The whole sun drop turning into a magic flower was completely Disney, but I liked it. Actually far more epic than the original lettuce that Rapunzel is named after.
They reversed Rapunzel and Flynn's social statuses. In the original story Rapunzel, is a commoner, and the man who saves her is a prince. But I was fine with Rapunzel being the lost princess. I know how Disney loves its princesses.
Mother Gothel isn't actually using Rapunzel for any magic in the original tale. She just wants a child to love. Which actually makes her evilness rather more ambiguous. Sure, kidnapping and dropping the prince from the tower was wrong, but otherwise Gothel is more the archetypical over-protecive parent than evil stepmother. I actually wished Disney had played this up more, but I realize Disney villains rarely have that kind of nuance. I didn't feel they played up her evil nature enough either. I wish there had been more hints that she didn't really love Rapunzel. I don't think her constantly making fun of her really cut it because some parents do that. It makes them bad parents, but at Gothel's level, it wasn't even really verbal abuse. It easily could have just been someone who was too selfish to know better.
The prince gets his eyes gouged out falling from the tower into a bunch of thorns, but Flynn just gets stabbed.
In the original, Gothel cuts Rapunzel's hair but here obviously she couldn't because then it would be useless to her.
Rapunzel's tears do actually heal the prince in the original, but I really wish it had been her hair in this one since it was healing hair and the whole time I thought: “This is perfect because she could use her hair to heal Flynn when his eyes get gouged.” I always thought the tear thing was cheesy in the fairytale. But at least Disney didn't have to change it for a happy ending. The prince always lived at the end of Rapunzel. Interestingly enough, the witch doesn't die in any version I've ever read. The closest she comes is getting stuck in the tower.
Rapunzel has twin babies by the prince in the original. In some it's even how Gothel figures out what's happened. Then Rapunzel wanders the desert for years with her babies until she finds the blinded prince. But I get why they didn't want to explain that to the kiddies.
